Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 4: Mrs. Alice Morse Earle, in her interesting book, abounding in curious information, on "The Sabbath in Puritan New England," says that the use of tobacco "was absolutely forbidden under any circumstances on the Sabbath within two miles of the meeting-house, which (since at that date all the houses were clustered round the church-green) was equivalent to not smoking it at all on the Lord's Day, if the law were obeyed. But wicked backsliders existed, poor slaves of habit, who were in Duxbury fixed 10s. for each offence, and in Portsmouth, not only were fined, but to their shame be it told, set as jail-birds in the Portsmouth cage. In Sandwich and in Boston the fine for 'drinking tobacco in the meeting-house' was 5s. for each drink, which I take to mean chewing tobacco rather than smoking it; many men were fined for thus drinking, and solacing the weary hours, though doubtless they were as sly and kept themselves as unobserved as possible. Four Yarmouth men—old sea-dogs, perhaps, who loved their pipe—were in 1687 fined 4s. each for smoking tobacco around the end of the meeting-house. Silly, ostrich-brained Yarmouth men! to fancy to escape detection by hiding around the corner of the church; and to think that the tithing-man had no nose when he was so Argus-eyed."
From Chapter 6: William Penn did not like tobacco and was often annoyed by it in America. Clarkson, his biographer, relates that on one occasion Penn called to see some old friends at Burlington, who had been smoking, but who, in consideration for his feelings, had put their pipes away. Penn smelt the tobacco, and noticing that the pipes were concealed, said, "Well, friends, I am glad that you are at last ashamed of your old practice." "Not entirely so," replied one of the company, "but we preferred laying down our pipes to the danger of offending a weaker brother."
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From Chapter 9: There would appear to have been some smokers who disliked the new-fangled cigars. Angelo seems, from various passages in his "Reminiscences," to have been a smoker, and to have been very frequently in the company of smokers, yet he could write: "There are few things which, after a foreign tour, more forcibly remind us that we are again in England, than the superiority of our stage-coaches. There is something very exhilarating in being carried through the air with rapidity ... considering the rate at which stage-coaches now travel [i.e. in and just before 1830] ... a place on the box or front of a prime set-out is, indeed, a considerable treat. But alas! no human enjoyment is free from alloy. A Jew pedlar or mendicant foreigner with his cigar in his mouth, has it in his power to turn the draft of sweet air into a cup of bitterness." Perhaps Angelo's objection was more to the quality of the cigar that would be smoked by a "Jew pedlar or mendicant foreigner," than to the cigar itself. Yet, going on to describe a journey to Hastings, sitting "on the roof in front" beside an acquaintance, he says, notwithstanding the enjoyment of dashing along, anecdote and jest going merrily on, "we had the annoyance of a coxcomb perched on the box, infecting the fresh air which Heaven had sent us, with the smoke of his abominable cigar," which looks as if his real objection was to cigars, as such.
From Chapter 15: The "Tobacco Roll," either alone or in various combinations, was one of the commonest of early tobacconists' signs, and was in constant use for a couple of centuries. It may still be occasionally seen at the present time in the form of the "twist" with alternate brown or black and yellow coils, which up to quite a recent date was a tolerably frequent adornment of tobacconists' shops, but is now rare. This roll represented what was called spun or twist tobacco. Dekker, in James I's time, speaks of roll tobacco. The youngster who mimics the stage-gallants in Jonson's "Cynthia's Revels" as described in Chapter II (ante; page 31), says that he has "three sorts of tobacco in his pocket," which probably means that it was customary to mix for smoking purposes tobacco of the three usual kinds—roll (or pudding), leaf and cane. One would have thought that a representation of the tobacco plant itself would have been a more natural and comprehensive sign than one particular preparation of the herb, yet representations of the plant were rare, while those of the compressed tobacco known as pudding or roll in the form of a "Tobacco Roll," as described above, were very frequently used as signs.
